![]() ![]() Support provided by the MOCA Environmental Council. The museum reduced greenhouse gas emissions through planning efforts and balanced the remaining emissions through Strategic Climate Fund donations. The Cultural Partner for this exhibition is Marmor Award and The Dorothea and Leo Rabkin Foundation.Įxhibitions at MOCA are supported by the MOCA Fund for Exhibitions with generous funding provided by Earl and Shirley Greif Foundation. Major support is provided by the Ahmanson Foundation through the Ahmanson Curatorial Fellowship andĪdditional support is provided by Pasadena Art Alliance and Visionary Women.Ĭatalogue support is provided by 303 Gallery, New York Pilar Corrias David Kordansky Gallery The Katherine S. Lead support is provided by The Aileen Getty Foundation and The Andy Warhol Foundation for the Visual Arts. Tala Madani: Biscuits is organized by Rebecca Lowery, Associate Curator, The Museum of Contemporary Art, Los Angeles, and Ali Subotnick, Guest Curator through the MOCA Ahmanson Curatorial Fellowship, with Paula Kroll, Curatorial Assistant, The Museum of Contemporary Art, Los Angeles.Īdmission to Tala Madani: Biscuits is free courtesy of Carolyn Clark Powers. Closed Mondays, Thanksgiving, & Christmas Accessibility The Broad is committed to making its collection, exhibitions, building, events, and services accessible to all visitors. Rich in narrative and heavy in irony, they elicit curiosity, fantasy, and repulsion. Museum Hours Tuesday & Wednesday & Friday 11 a.m. Architect Arata Isozaki designed MOCA Grand Avenue in 1986 with classical architecture and Los Angeles popular culture in mind. Four years later, it moved to 70 Mulberry Street, taking up the second floor of a rickety old schoolhouse. ![]() Madani’s paintings and animations are powerful meditations on the potential for art to reflect the deeply-seated cultural fears, conflicts, and desires of our present day. The New York Chinatown History Project began at 44 East Broadway in 1980. Bringing together fifteen years of the artist’s incisive work, the exhibition will highlight the often-absurd socio-cultural dynamics enacted within Madani’s art and, more broadly, the potent and combustible relationship between art history and global history. One year later, reports Nancy Kenney for the Art Newspaper, the. The Foundation of the Museum: MOCA’s Collection is organized by Bennett Simpson, Senior Curator, with Rebecca Lowery, Assistant Curator, The Museum of Contemporary Art, Los Angeles.MOCA is organizing the first North American survey of Iranian-born artist Tala Madani’s paintings and animations. On January 23, 2020, a devastating fire nearly destroyed the New York City archives of the Museum of Chinese in America (MOCA). Featuring a diverse range of artists long- and newly-associated with the museum, the exhibition reflects a belief that MOCA’s histories and futures have always been multiple, ambitious, precious, and unique. With special emphasis on works associated with the museum’s remarkable history of exhibitions, The Foundation of the Museum: MOCA’s Collection shows the collection as a changing, mutating landscape of developments in contemporary art and curatorial focus, as well as the social and cultural backdrops that inform them. To mark the museum’s 40th anniversary, this exhibition presents a selected topography of artworks that speak to the diversity and prescience of MOCA’s collecting over the past four decades. ![]() Forty years since its founding in 1979, MOCA has built one of the most legendary permanent collections in the world-a continually growing archive that reflects historical depth, recent experimentation, global awareness, and an outlook significantly informed by its home in Los Angeles. ![]()
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